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The Mapping of Desire at bianca's Smut Shack In "Sex and death among the disembodied" Sandy Stone refers to "the primacy of play in interactive virtual environments" Stone, When considering the virtual environment of the Web, one site that embodies this sense of interactivity and play is bianca's Smut Shackan almost entirely text-based erotica web site patterned on the metaphor of a mapped "shack" where guests can visit its different rooms, actively engage in chat sessions and "write on the walls," or passively explore the established framework of the shack, reading the words that other guests have posted and inserted to its meaning. In her article Stone also comments that: Usually sex involves as many of the senses as possible.

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Although it is unclear who was actually managing the server, Bianca operated with intermittent functionality and frequent outages as late as early On other occasions organized groups of "raiders" would enter a Bianca. Each room gives a description of its virtual sjut and links to related objects and chat rooms.

It has since been updated to show: what you'll find here is an idea of what bianca is, what the shack has chzt, events that we've thrown, and events that we will be throwing or participating in; not to mention recipes for how to cook a killer grilled cheese sandwich. To begin to answer this question we must first ask, through what means is the body represented in the virtual world?

Each of the three options serve as different points of departure from which we can navigate through the shack in much the same manner of navigating through the textually constructed spaces of a MOO environment, only here the action is point-and-click as opposed to typing textual commands. Yet due to the invisibility of the biological body in its textual representation in cyberspace, the MOO environment can readily be used as a space in which to experiment with identity, and can serve as a point in which to imagine alternatives and to extend beyond the biological "determinism" of given male and female gender roles.

At some point after that, hackers were able to access the server and delete the contents, using a function that rendered the data irretrievable.

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Yet like a of Web sites, the world of the Shack constantly changes, and thus works to draw its growing "community" of visitors back on a continual basis. Yet the phrase "Write on bianca's walls" immediately dispels such a clean separation, and renders the Shack as the body of bianca herself, or the body of a woman that we - women and men - can navigate and occupy, or an object on which we can leave our mark.

At present meaning April the site's smut appeal exists in the dirty talk, flirtatious innuendoes, sexual fantasies, and curious questions that visitors post on its walls. The "map o' the shack" links to an image map giving entrance to the various rooms, the "quick reference index" provides a text list of links to the very same rooms, and "bianca's HeartBeat" gives direct entrance to chat room sessions and transcripts.

Through the way in which it maps human desire and fantasy onto the walls of a virtual body, bianca's Smut Shack provides a virtual embodiment of Stone's notion of "the information necessary to reconstruct the meaning of body to almost any desired depth and complexity. The result was often the emptying of the room, for a time, of all legitimate users.

The Mapping of Desire at bianca's Smut Shack In "Sex and death among the disembodied" Sandy Stone refers to "the primacy of play in interactive virtual environments" Stone, Some posted links which were claimed to be to pornographic images, but in fact directed the viewer to the registration of a site that displayed autopsy, crime scene, and other disturbing photos.

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She welcomes us: "Come on in! In this space, bodies - both in the physical sense of individual human bodies and in the more abstract sense of political, organizational, or communal bodies - can be represented both through literal images such as pictures on the screen and through the overall "embodiment" that a home offers in attempting to link and piece together the fragments of a chwt identity. I want to learn to please on-line.

Stone continues with a discussion of phone sex in its relation to cybersex: It also seems clear that what's being sent back and forth over the wires isn't merely information, it's bodies -- not physical objects, but the information necessary to reconstruct smmut meaning of body to almost any cbat depth and complexity. Taste, touch, smell, sight, hearing -- and, for all I know, short-range psychic interactions -- all work together to heighten the erotic sense. The site is constructed almost entirely of internal links, so that guests can browse for hours without becoming distracted by a random tangent, and without losing a sense of location within the Shack's virtual walls.

Unlike the majority of sites found on the Web, the continual changes occurring here are produced by the guests themselves, in transcripts of various chat sessions, question and answer bulletin boards, and various postings throughout the different rooms.

One effect of these postings is that it gives visitors to the Shack a variety of options by which to navigate their journey. Or is it? As the site prided itself on allowing all users freedom of speech, little effort was made to correct what quickly became a problem in terms of both site management and bandwidth, bringing the system to its knees.

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Although every so often, in the "corner" of one of the rooms, we may come across some actual graphic pornography, bianca overtly premises her site on the possibility of all visitors leaving written messages on smjt walls. Now all that remains is the "shack map" and an contact link.

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If a user had a line-long poem they wanted to post, the chat software would have accepted and posted it. Navigating bianca and her Shack: As a standard disclaimer, bianca warns us up front that "if you want to come in, you must be at chta 18 years old," and she then provides variable means by which to navigate the body of the site. This fluid relationship between the virtual body of the Shack and the physical bodies of those who visit its site works to blur the boundary between cyber-textual body and dhat physical body, and to undermine traditional of text, author, and reader.

Transcripts of chat sessions are found upon entering each of the various chat rooms, and bulletin board postings smuy found at the posting sites.

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In general, the idea of body is part of the idea of erotic interaction and its concomitants, and the erotic sensibilities are mobilized and organized around the idea of a physical body which is the seat of sensual interaction. Speak of the wmut you will perform. They too could post line-long rants if they pleased. However, as Bianca grew more popular, cyber vandals eventually found their way to the site. Stone, Yet in cuat virtual world the immediacy of such a range of sensory experience is - owing to its limitation to text and, increasingly, graphics and sound - almost entirely absent.

Other vandals took a more direct approach. When considering the virtual environment of the Web, one site that embodies this sense of interactivity and play is bianca's Smut Shackan almost entirely text-based erotica smtu site patterned on the metaphor of a mapped "shack" where guests can visit its different rooms, actively engage in chat sessions and "write on the walls," or passively explore the established framework of the shack, reading the words that other guests have posted and inserted to its meaning.

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At any point a guest can actively post his cjat her own message; yet a visitor can also opt to spend his or her entire time in the Shack passively traveling through its spaces and reading what has been written "on the walls. Stone, In what way is "the information necessary to reconstruct the meaning of body" present in electronic spaces?

The virtual rooms through which we hcat travel include: the chag, which gives an introduction and welcome; the alter, where visitors can make sacrifices "to bianca, or to smut. In general, both the Web and MUD and MOO environments provide spaces for representation and discourse that range from academic and theoretical, to flirtatious and playful, to erotic and pornographic.

One of the most prominent features of the Shack is our ability to view the literal writing that others have left on its her walls through the course of the day.

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Write on bianca's walls, read from sut books. This was manageable when bianca was a smaller, more closely knit community. Originally, since the site claimed: bianca.

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